top of page
unnamed (5).jpg

  in search of Hulduklettur (Hidden Rock)

INSPIRATION 

Installations of the exhibition Garden of Stones and a Thousand Flowers inspired by work Icelandic conceptual artist Hreinn Fridfinnsson, Hulduklettur.

 photos:  www.hreinnfridfinnsson.com

2017-12-21-10048-27 B.jpg

Installation Hulduklettur  Hreinn Fridfinnsson 2017
 

 

Fridfinnsson often presents found objects, creating new works that investigate ideas of the self and of time. Following the consistency of theme and a common thread of Hulduklettur (Hidden Rock) cardboard boxes of the installations contain objects, photography, drawings and texts to explore. Combined in sequence, they tell stories and invite to interpret artists' works in search of answers to questions.

box1.jpg
box2.jpg

Key from the Garden

hand casted ceramic key

Veera Kulju.

Installation  Garden of Stones and a Thousand Flowers,  2025
 

box4.jpg
Irene Sema_Coastline paradox (2).jpg

 

Coastline paradox, 2024

Irene Sema

The Coastline Paradox as a Metaphor for Research

It is the counterintuitive observation that the coastline of a landmass does not have a well-defined length. This results from the fractal curve-like properties of coastlines.
The measured length of the coastline depends on the method used to measure it and the degree of cartographic generalization. 

Since a landmass has features at all scales, from hundreds of kilometers in size to tiny fractions of a millimeter and below, there is no obvious size of the smallest feature that should be taken into consideration when measuring, and hence no single well-defined perimeter to the landmass. Various approximations exist when specific assumptions are made.

HF_WomenWithShells.jpg

Installation Hulduklettur  Hreinn Fridfinnsson 2017
 

2017-11-24-10048-06.jpg

Installation Hulduklettur  Hreinn Fridfinnsson 2017
 

Find the Pearl Box

Installation  Garden of Stones and a Thousand Flowers,  2025
 

p_100.jpg
pearl.jpg

Once Upon a Time..., 2023

print

Irene Sema

Find the Pearl Box, an interactive work  for the children's  part of the installation.

It is a tactile encounter for hands, which creates a soundtrack of rustling sounds of dry peas. The box contains one pearl that can be found by sorting through the peas.


with referencing  to the Sea Bean, Blue Box and Bean Garden by Alison Knowles
 

Alison Knowles interactive works such as Bean Garden (1971/2016), a tactile encounter for feet that creates a soundtrack for the gallery, as the rustling sounds of dry beans are amplified throughout the space.

Screen Shot 2021-02-24 at 7.23.01 PM.png
p4.jpg

dialog I 2023 marble

Nelli Tanner

dialog I, 2023

marble

Nelli Tanner

Supported by 

Kruunu_logo_must_png.png
Museovirasto_logo_fi_sv_en-e1691669373866.png
Espoo_logot_RGB_musta-2.png
338a7657-b791-46e2-bdad-c0f201e183ab.png

© 2025   

bottom of page